Author Archives: Henkka

MONO NO AWARE “Jinsei, Yamaori Taniori” Interview (2017)

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Here is an interview with the cool youngsters of MONO NO AWARE. The interview focuses on the history of the band’s formation, as well as on their debut album. Enjoy!

Interview & text: Kaneko Atsutake (Japanese text)
English translation: Henkka
MONO NO AWARE links: Website, Instagram, Facebook, Twitter

Note: You can buy Jinsei, Yamaori Taniori on CDJapan.


MONO NO AWARE
(L-R) Tamaoki Shukei, Yanagisawa Yutaka, Takeda Ayako, Kato Seijun

MONO NO AWARE, a four-piece band who derive their name from the concept of mono no aware—the natural transience of things and feelings experienced with respect to life’s subtleties—have released their debut album, Jinsei, Yamaori Taniori.

With overseas garage rock and post-punk as the backdrop, their music can be quite volatile, with daring changes that can occur even within individual songs. Another characteristic of the band—also apparent in the album’s title—is their wordplay, always causing involuntary smiles. While their music has some similarities with the currently trending psychedelic pop of the Tokyo indie scene (as showcased at the “BEACH TOMATO NOODLE” party co-hosted by Tempalay and domico), the band neatly avoids categorization, with their easygoing feel giving them a unique personality.

At the core of the band are its two Hachijojima natives: songwriter/vocalist/guitarist Tamaoki Shukei, and guitarist Kato Seijun. Tamaoki, the intuitive humanities type, and Kato, the research-oriented sciences type, complement each other nicely in their search for musical freedom, their aims simply set for “somewhere other than here.” Led by this duo—somehow reminiscent of Natsume Tomoyuki and Sugawara Shinichi of the Siamese Cats—now that they are “out of the well,” so to speak, what kinds of different worlds will this group be showing us next?

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Henkka’s New Music Discoveries

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I love music, and I’m always—constantly—looking for new stuff to listen to.

Pretty much my favorite activity in life is to sit down in a dark room, pour myself a drink, put on some headphones, and listen to new music in search of gems I haven’t heard before. This is something I’ve been doing quite consistently since my early teens. (Well, the drinks may have come a little bit later.)

In any case, here are a few recent “fruits of my labor.”

These findings are from the past year or so. I’ve listed each song, in no particular order, with its musical genre and year of release. Feel free to grab a drink and listen along if you’d like.

Young Gun Silver Fox
“Lenny”
2018 | YACHT ROCK

I discovered these guys a while ago when I came across a collaboration they’d done with the amazing Rod Temperton. (On a side note, I would list Rod Temperton’s Heatwave among my favorite bands of all time.) They’ve released four albums so far, and each one consists of this sort of very friendly, sunny-sounding yacht rock. Awesome stuff.

By the way, I learned from an interview of theirs that the band name Young Gun Silver Fox is derived from its two members. One of them is a young gun, while the other is a silver fox.

Pretty academic stuff, I know. Really makes you think.

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Minuano “Love Logic” Reissue With Translated English Lyrics

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I’m very excited to announce the CD reissue of Minuano‘s first album, Love Logic, on August 22, featuring English lyrics of all songs on the album.

This special reissue is available on Shopify and Bandcamp.

The lyrics were translated by yours truly, and I had the pleasure of spending hours upon hours thoroughly discussing them with Minuano’s main architect and songwriter Ogata Takero, painstakingly going through each and every line to make sure the English lyrics would accurately portray the original vision of the beautiful Japanese lyrics.

Now, just in case you weren’t previously familiar with Love Logic…

Minuano’s debut album, first released in 2009, features influences from MPB, soft rock, jazz, and city pop, reshaping them into a unique soundscape blending romance and ennui, with the whispered vocals of Sakakibara Kaori (Lamp) as the icing on this cake of aural tapestry.

“Lemon Elegy,” a fleeting fusion of the vibrancy of Brazilian jazz and the sentimentality of Japanese lyricism. “Soleil,” with its MPB-esque key changes and a sense of melancholy towards a summer nearing its end. The bossa nova of “A Mischievous Wind,” also featuring vocalist Nagai Yusuke (Lamp). The scaled-down soft rock piece “Rain-Colored Diary” which truly makes one see the raindrops…

A total of 10 songs, capturing in vivid detail these fragments of a world in motion.

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Chakra Ogawa Mishio Interviews (2011–2012)

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This is a conversation with Ogawa Mishio, vocalist of the Japanese new wave band Chakra who were active from 1978 to 1983. Chakra is also the main topic of this discussion. Enjoy!

(Note: This is, in fact, two separate interviews compiled into one post. Thus, the questions and the order of the questions have been slightly edited to maintain the flow of the conversation.)

Interview & text: Shikata Hiroaki (Japanese text: one & two)
English translation: Henkka
Ogawa Mishio links: Website, Twitter

Note: You can buy Chakra’s music on CDJapan.

Chakra — a band of the New Wave Era who radiated a profoundly mysterious charm. Now, their albums Chakra and Satekoso have been re-released with five bonus tracks each!

In this interview, we asked the band’s vocalist Ogawa Mishio about her time in Chakra.

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Kitasono Minami “Never Let Me Go” Interview & Liner Notes (2015)

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This is an interview with Kitasono Minami about his third (and, as of this writing, most recent) EP, Never Let Me Go. Also included are his liner notes for each song. Enjoy!

Interview & text: Kato Naoko (Japanese text)
English translation: Henkka
Kitasono Minami links: Website, Blog, Twitter, SoundCloud

Note: You can buy Never Let Me Go on CDJapan.

Interview

Kitasono Minami, who released his second EP, lumiere, this past July, continues to showcase his increasingly colorful realm of pop. But the artist himself remains shrouded in mystery, choosing still not to reveal his face in any promotional photos. The fact is, however, that even this mystique is something that gives his work a certain kind of charm.

Being in charge of writing all the lyrics and music, doing all the arranging and singing, performing all manner of instruments by himself, but also featuring in his captivating world of sound a great number of highly skilled supporting players—beginning with the strings and a brass section—Kitasono Minami surely offers one so many different ways of enjoying his music, capturing the listener’s imagination.

And now, bringing a renewed sense of inspiration to that sound world is his third EP, Never Let Me Go, which was just released a short while ago. With a focus on winter songs, this work features five warm, bountiful numbers that make for perfect listening as we near the Christmas season. With some new performers taking part in the recordings—Ishiwaka Shun on drums, Kusui Satsuki and Morita Yusuke on bass, Ogaeri Ami on piano—the involvement of these young, spirited jazz musicians is surely another important characteristic of the work.

Eager to learn more about this highly interesting EP whose lyrics stand in stark contrast to its bright sound, we conducted an email interview with the artist himself.

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