This is an interview with MONO NO AWARE about their fourth album, Gyouretsu no Dekiru Hakobune, or Ark With a Line.

As far as this album goes, “Zokkon“ might be the highlight for me—as always, this band just absolutely nails the simple stuff. Calling it “simple” might be misleading, though, because when it’s simple, there’s nothing to hide behind. But MONO NO AWARE make it sound so effortless.

Interview & text: Nagahata Hiroaki (Japanese text)
Photography: Masuda Renzo, Taniura Ryuichi (some photos taken from here)
English translation: Henkka
MONO NO AWARE: Website, Instagram, Twitter

Note: You can buy Gyouretsu no Dekiru Hakobune on CDJapan.

MONO NO AWARE
(L-R) Kato Seijun, Tamaoki Shukei, Takeda Ayako, Yanagisawa Yutaka

MONO NO AWARE—armed with a peerless command of language and a warm band sound, they continue to update their music while never being tied down by genres.

On 9 June, they released their fourth full-length album, Gyouretsu no Dekiru Hakobune. The album features ten songs, including “Zokkon,” the theme song to theatrical anime film The Stranger by the Beach released last September, and “Soko ni Atta Kara,” their first digital single of 2021.

In this interview, we sat down with the four members of the band to talk about the creation of this album, about conflicts within the group, and about what they think in regards to this current “mood” that hangs in the air of society today.

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This is an interview with MONO NO AWARE about their third album Kakegae no Nai Mono, which translates to “Something Irreplaceable.” I hope you find it useful.

On a side note, the second track “Enpitsu“ is one of my favorite tunes from this band. It’s got just the right amount of that lighthearted, nostalgic-sounding J-pop melancholy.

Interview & text: Ishizumi Yuka (Japanese text)
Photography: Oohashi Yuuki
English translation: Henkka
MONO NO AWARE: Website, Instagram, Twitter

Note: You can buy Kakegae no nai Mono on CDJapan.

MONO NO AWARE
(L-R) Yanagisawa Yutaka, Tamaoki Shukei, Kato Seijun, Takeda Ayako

On their first album, Jinsei, Yamaori Taniori, they expressed a kind of tricky, humorous funkiness which only indie bands can pull off. Their second album, last year’s AHA, was—as symbolized in the lead track Tokyo—something that resounded with the image of a mid-twenties youth living in Tokyo, transcending any particular music scene.

MONO NO AWARE are a rare thing. They are a rich, organic entity, in which band music comes together with themes, melodies, ensembles, and words, all at the group’s own pace.

The theme of their third album, Kakegae no nai Mono, is based on the personal vision of frontman and songwriter Tamaoki Shukei. Both the radiance as well as one’s apprehension towards “the future” as seen through the eyes of a child; a child’s affection for material things; that slight feeling of hesitation when one is standing at the brink of adulthood… Of course, it’s precisely because he is no longer a child that these themes he depicts resonate so deeply, and I believe that it’s this very thing that is the heart of this album.

With tracks like the theme song for film Chinbotsu Kazoku and the 2019 October/November song for TV program Minna no Uta, it was with hopes of introducing listeners not yet familiar with the worldview of this profound band that I spoke with its members.

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Here is an interview with MONO NO AWARE members Tamaoki Shukei and Kato Seijun. The interview focuses on how the pair first met, as well as on the band’s sophomore album. Enjoy!

Interview & text: Miyake Shoichi (Japanese text)
English translation: Henkka
MONO NO AWARE links: Website, Instagram, Facebook, Twitter

Note: You can buy AHA on CDJapan.

MONO NO AWARE
(L-R) Takeda Ayako, Tamaoki Shukei, Kato Seijun, Yanagisawa Yutaka

MONO NO AWARE have just completed their second album, AHA.

Ever since the band’s beginnings, there has been no one else like them when it comes to musical expression. “This part is rock, this part is pop“—there are no such borderlines in their music. And yet, their musical imagery carries with it a contemporaneity which organically reminds the listener of all kinds of different cultures, along with a synchronicity which makes it feel like you’re tripping between reality and some parallel world.

Those aspects of the band’s music become even more vivid on this work, with the evolution in their sound production and songwriting making one’s earliest childhood memories rise to the surface.

Having accompanied the band for the filming of their music video for this album’s lead song, “Tokyo,” we then conducted an interview with their songwriter/vocalist/guitarist Tamaoki Shukei and guitarist Kato Seijun.

We visited their hometown of Hachijojima, Tokyo—a 55-minute direct flight from Haneda Airport. While the town is actually still a part of Tokyo, that sense of travel I got from going down there and standing in that environment, surrounded by nature, it gave me flashbacks of that peculiar feeling one experiences when listening to MONO NO AWARE—a sense of, “It’s my first time here, and yet somehow it’s like I know this place.”

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Here is an interview with the cool youngsters of MONO NO AWARE. The interview focuses on the history of the band’s formation, as well as on their debut album. Enjoy!

Interview & text: Kaneko Atsutake (Japanese text)
English translation: Henkka
MONO NO AWARE links: Website, Instagram, Facebook, Twitter

Note: You can buy Jinsei, Yamaori Taniori on CDJapan.

MONO NO AWARE
(L-R) Tamaoki Shukei, Yanagisawa Yutaka, Takeda Ayako, Kato Seijun

MONO NO AWARE, a four-piece band who derive their name from the concept of mono no aware—the natural transience of things and feelings experienced with respect to life’s subtleties—have released their debut album, Jinsei, Yamaori Taniori.

With overseas garage rock and post-punk as the backdrop, their music can be quite volatile, with daring changes that can occur even within individual songs. Another characteristic of the band—also apparent in the album’s title—is their wordplay, always causing involuntary smiles. While their music has some similarities with the currently trending psychedelic pop of the Tokyo indie scene (as showcased at the “BEACH TOMATO NOODLE” party co-hosted by Tempalay and domico), the band neatly avoids categorization, with their easygoing feel giving them a unique personality.

At the core of the band are its two Hachijojima natives: songwriter/vocalist/guitarist Tamaoki Shukei, and guitarist Kato Seijun. Tamaoki, the intuitive humanities type, and Kato, the research-oriented sciences type, complement each other nicely in their search for musical freedom, their aims simply set for “somewhere other than here.” Led by this duo—somehow reminiscent of Natsume Tomoyuki and Sugawara Shinichi of the Siamese Cats—now that they are “out of the well,” so to speak, what kinds of different worlds will this group be showing us next?

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