The Lennon-McCartney of Lamp

Lennon or McCartney?

Some time ago, Someya of Lamp tweeted a video called “LENNON or McCARTNEY.” In it, over 500 famous people are asked a simple question: “Lennon or McCartney?” For decades, “Lennon or McCartney” has been a fun topic of conversation to be shared with friends over some drinks. For me, my answer to the question changes over time. This, however, got me thinking about Lamp. You see, in my mind, you could easily ask the same question in regards to Lamp.

Nagai or Someya? Now there’s a question for you to ponder upon.

And to me, Someya is the McCartney and Nagai the Lennon of Lamp.

Continue reading

Lamp “Komorebidoori ni te” interview & liner notes (2005)

According to Lamp, their third release, Komorebidoori ni te, was one of the toughest recordings of their career. Thankfully, their hard work paid off: I think it’s fair to call Komorebidoori ni te an absolute classic album that has stood the test of time. This interview from 2005 was published in the free magazine “bounce,” later re-posted on Tower Records Online in slightly edited form.

Original interview & text: (parts one & two)
English translation: Henkka
Lamp on the web: website, blog, Facebook, Twitter, SoundCloud, Botanical House

You can buy Lamp’s music directly from the band, both physically and digitally, on Bandcamp.


Lamp — a three-piece band that debuted in April of ’03 with their mini-album, Soyokaze Apartment 201. Their third album, Komorebidoori ni te, clearly showcases the members’ stubbornness in their attitude towards music — it’s a work of zero compromise. The harmonies of their male-female twin vocals, already highly praised since their debut, have been refined even further, and the gradation between their rhythms and their carefully selected tones has become even more vivid and colorful than in the past. We’re glad to present to you an interview from behind the scenes of this new-generation, pop music masterpiece.

Continue reading

Lamp “Kanojo no Tokei” interviews (2018)

Lamp released their most recent album Kanojo no Tokei in May 2018. Translated below are two interviews they did in promotion of this fantastic album. The first one is from OTOTOY. Enjoy!

Original interview & text: Yuya Watanabe (parts one & two)
English translation: Henkka
Lamp on the web: website, blog, Facebook, Twitter, SoundCloud, Botanical House

You can buy Lamp’s music directly from the band, both physically and digitally, on Bandcamp.

Lamp — a band characteristic of their feel-good sound that is both complex yet refined, seamlessly weaving together various styles of music. Their music is always fresh, yet containing elements of their musical roots. We arranged this interview to talk to the members about this release consisting of eight songs to which the members have given their all. Kanojo no Tokei, their 9th album in total, follows nearly four years after their previous release, Yume, and is the band’s first release on their own label, Botanical House.

In the first half of the interview, we talked to the band about Botanical House and about AOR and Brazilian music — the foundations of Lamp’s musicality. Since their formation in 2000, Lamp has always placed the utmost importance in pushing themselves to make the kinds of works that they’ve wanted to make, and as a result the band has now reached a point where they will soon be performing an instantly sold out show in Ebisu LIQUIDROOM. In this interview, we managed to catch a glimpse at the sense of aesthetics shared by all three members.

The band also talks in the interview about how they’ve been finding it more and more difficult to produce new albums with each passing year — apparently they finally completed Kanojo no Tokei only after various ups and downs along the way. However, when you actually listen to the material they’ve delivered, the refined production as well as the songs with their mellow sounds that serve as vivid reminders of the 80’s immediately dispel any doubts one might’ve had. In the second half of the interview, the band reveals that what first pointed them in the direction of this exceedingly amazing new album was “Sachiko,” the last track on their previous release.

Interview & text: Yuya Watanabe

Continue reading

Lamp – Sachiko

さち子 (Sachiko)

The horizon and the sweet ocean breeze at summer’s end
Blowing through the girl’s hair she’d only just cut short

Melancholy carried by a freight train running across the seashore
Tears and the prologue to a kiss hidden inside a seashell
A summer bluer than the sea…

Memories now flowing from the car stereo
The sound of the waves and your singing

The vast loneliness of a late-summer beach at dusk
Chasing after the shadow of her straw hat blown away by the wind

Running across the beach with her toenails painted red
Creating ripples in the water
The epilogue to a fairytale about a mermaid she’d nearly forgotten
A summer deeper than the sea…

Ah, resounding from the far corners of my memory
The sound of the waves and your singing

I always knew it would one day end like this
Our brief time together
Like a drop of foam fading into the bottom of the ocean

Even if you were a fish I would still find you
Endlessly I keep calling out your name
Where are you singing now?

Lamp “Zankou” interview & liner notes (2007)

Zankou, Lamp’s collection of new material and previously unreleased songs was released in March 2007. This interview regarding the album was posted in 2007 on a site called mf247 that no longer seems to exist. I’ve also included translations of liner notes of three of the six songs on the album; these were written by Taiyo Someya between 2004 and 2007. Enjoy!

Original text: Masaru Yokota
English translation: Henkka
Lamp on the web: website, blog, Facebook, Twitter, SoundCloud, Botanical House

You can buy Lamp’s music directly from the band, both physically and digitally, on Bandcamp.


If I was to summarize them very briefly: they’re a hidden gem of pop music. Give them a listen and you, too, will quickly hear that they’re truly deserving of the title. City pop, soft rock, MPB (Musica Popular Brasileira, a genre of Brazilian music that came after bossa nova), soul, AOR, bossa nova, etc… You can find components of many musical genres in Lamp’s material. Now, nearly two years since their last release, they’re breaking their radio silence to release their first collection of unreleased material, Zankou, while they’re busy working simultaneously on their fourth and fifth albums. With a focus on this collection that gives us a glimpse into their future with its newly-written songs, this interview zooms in both on Lamp’s past as well as what they wish to achieve going forward.

Interview & text: Masaru Yokota

Continue reading