Kaede – Sepiairo no Kugatsu

セピア色の九月
Sepia September

Summer ends as though nothing had happened
Opening the window, watching the clear skies

It passed, never once looking back
Leaving only the swimsuit lines on my suntanned skin

My tears blur into sepia
Sweet, slightly languid September

Surely I’ll see the blue coastline again
Thinking that, I feel better

Autumn begins and as though nothing had happened
A trench coat envelops my dress

So now within this ambiguous season
I want to be alone, as if I was on a journey by myself

My tears are sepia-colored syrup
Sweet, slightly bitter memories

The blue coastline so far away, a summer forever gone
Thinking that, I feel lonely

I cried — In September
I cried — Sepia tears

Lamp – Tsumetai Yoru no Hikari

冷たい夜の光
Cold Night Light

A conversation-less passenger car headed nowhere
Memories of days past hang in the air like feathers
It’s just as always, this enveloping world
Stealing up on me without a word or sound

Suspended neon signs; a lie by the window
Holding my breath at the bottom of the universe

I have heard the sound of unending sorrow
The gentle embrace of this cold night light is all I need
Who would think of this town as it floats past unnoticed
Illuminated only by the cold night light?

Coffee stains remain on the letter
With words left unsaid, simply abandoned
Is it the same as always, the life you’re living?
A gentle kiss before drifting off to sleep

A winter illusion of a distant spring
Now-forgotten songs of days gone by

An unending silence fills the sky
My heart shaken by the cold night light
Quietly take with you these rusted feelings
Oh, cold night light, just like this…

Alone, humming an endless song of youth
Singing it to the cold night light for all eternity
Smells in the wind of this unknown land reminding me of times past

Shin Rizumu – Houninshugi

放人主義
Leave-Alone-Ism

Rainy day, the establishment’s full of people
Every one of them thinking only about themselves

Look at those people fighting over a chair
And they call themselves adults?

People who know no shame — leave them be
Play it cool, keep calm

Irritating day, the table’s all wobbly
Stomach feels like it’s going to explode

Look at those children not behaving themselves
Should I shout at them?

People ignorant to the ways of the world — tell them off
Be stern, without reserve

Everyone around staring
Their cold gazes piercing me

People who know no shame — leave them be
Play it cool, keep calm

Everyone in society — leave them be
Be free, never mind them

Nakadai Tatsuya on the Golden Age of Japanese Film: Conclusion

Conclusion

The decline of film, the rise of television, and the transition to an internet society — the world has seen a tremendous amount of change in the past half century or so. While the Golden Age of Japanese Film has long since passed, many of the works from that time have found their way onto formats like VHS and DVD, still surviving today. “Revival houses” and similar movie theaters are still going strong, featuring unique films in their showings, and you can easily find plenty of video rental stores in town.

I admit, I do miss the big screen of times past, and so I like to go to the movies to see those works whenever I can. But regardless of whether or not it’s a film that I myself appeared in, whenever I’m watching those old movies, the thing I find the most moving is the realization of how so many of those actors have passed away. I often find myself counting them on my fingers. “Ah, that actor just passed last month…” “Oh, he’s not here anymore either…”

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Nakadai Tatsuya on the Golden Age of Japanese Film: Extras ②

On the Set of “A Duel Tale”

Text: Kasuga Taichi

“I previously did an NHK period drama called Seizaemon Zanji Tsuroku, based on a Fujisawa Shuhei novel. I played a rather indifferent, retired samurai, and people seemed to like it very much. I feel like A Duel Tale is kind of a continuation on that theme, and reading the original work, it’s quite interesting indeed. It again depicts a rather negative set of circumstances.

There are disparities among samurai, and the rank of the samurai I’m playing is that of “heyazumi,” meaning that he’s now retired and living a quiet life at home where his family consider him a nuisance. It’s a very sad story, different from the typical kind of sword fighting period drama I’ve done in the past. I feel like it was a project fitting for my age.” —Nakadai

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