Shinkawa Tadashi “Paintings of Lights” interview (2015)

OTOTOY conducted an interview with Tadashi Shinkawa regarding his third album, Paintings of Lights, that was just released on January 11 through Lamp’s record label Botanical House — the label’s first release. Fans of Lamp will have already heard Shinkawa on their 2014 album, Yume, singing on the track “Tameiki no Yukue.” Below is a full translation of the interview.

Original text: Jin’ichiro Iida (original interview)
English translation: Henkka
Tadashi Shinkawa on the web: official blog, Twitter, SoundCloud, Botanical House

Note: You can buy Paintings of Lights at OTOTOY (digital copy, alac/flac/wav/mp3, overseas credit cards accepted) or CDJapan (physical copy, PayPal accepted.)


Tadashi Shinkawa — a singer-songwriter who works completely alone, having recorded all of his albums thus far all by himself. His 2003 release, sweet hereafter, was a work that mesmerized listeners with its blend of mondo, exotica, and his characteristic, aesthetical sense of melody. On Christy, released two years later, he further made known his abundant musicianship by bringing to the surface more traditional elements like folk and rock, while also featuring a very “Tadashi Shinkawa” home recording sound.

Ten years later, he’s releasing Paintings of Lights. This work, with its Western art motifs and 80’s synth sounds, is a pop album full of romantic and poetic sentiments. It’s being released through Botanical House, an independent record label started by close friends of Shinkawa — as well as fellow creators of high-quality pop — Lamp.

When buying the album through OTOTOY, you will receive a bonus exclusive 15-minute interview video with Shinkawa. Please enjoy the text and video interviews with this usually very secretive artist, along with his highly detailed and brilliant, and yet, transient style of 80’s pop.

Personally, I was label mates with Tadashi Shinkawa on a label called MEMORY LAB. I first met him around 10 years ago; we both liked the same kind of back-to-the-roots music, but our ways of expressing it are completely different. That’s why when I heard his earlier album, sweet hereafter, I actually felt deeply jealous of his musicianship. He was later discovered by the equally wonderful musicians of Lamp, and he’s now releasing his first album in 10 years. Honestly, I thought I’d never get to hear another new album from him again.

I hereby give you my word: this release is truly nothing short of a marvelous record.

Interview & text: Jin’ichiro Iida

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