This is an interview about Uyama Hiroto‘s third full-length album, freeform jazz. Joining Uyama here is close friend Hashimoto Toru. This interview is particularly recommended reading for fans of Nujabes, who comes up quite a bit during the discussion.
Interview & text: Sawada Daisuke (Japanese text)
English translation: Henkka
Uyama Hiroto on the web: Website, Instagram, Twitter, Bandcamp
Note: You can buy freeform jazz from CDJapan.
Nujabes’ right-hand man Uyama Hiroto & Hashimoto Toru talk “freeform”—
Uyama’s unconventional, “emotionally Japanese” new release
A longtime supporting member of the late Nujabes, in his own works the multi-instrumentalist Uyama Hiroto continues to weave worlds of beautiful lyricism. While his sound had already become quite varied on his previous release freedom of the son (2014), there was still a tendency for it to be summarily labeled as merely “jazzy hip hop.”
However, his new album freeform jazz—released two years later—is a work which clearly defies the aforementioned categorization. It is, as implied by the title, a work that is free in form. Alongside the beautiful ensembles characteristic of Uyama, the release is filled with freaky beats, experimental ideas, and dope song progressions, lulling the listener into a false sense of security.
In addition to Uyama himself we also welcomed a close acquaintance of his, editor and music compiler Hashimoto Toru (SUBURBIA), to discuss at length the tremendously adventurous freeform jazz.