Lamp “Akari Tsushin” Issue #1

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I have an exciting announcement to make.

Akari Tsushin is the name of Lamp’s digital magazine, previously available only in Japanese. Today, I am very pleased to be able to announce the publication of the English-language edition of its first issue, now available at Lamp’s Spotify store.

Akari Tsushin is created by the members of the band, with the English translation by yours truly.

Contents
■ Lamp in Conversation: “4 AM Chat”
■ Endless Rain Into a Paper Cup: “Language and Music” (Someya Taiyo)
■ Unaddressed Letter: “It Was Time Travel” (Sakakibara Kaori)
■ Pajama Travel Journals: “Winter 2009 Sado Trip” (Nagai Yusuke)
■ Casual Best 5: “The Beatles”
■ Yume Utsutsu: “First Encounters with Music and Instruments”
■ Photo Studio Reminiscences
■ Editorial Postscript

That’s 15 pages of Lamp goodness!

Lamp and I have worked closely together to produce a faithful English language edition of Akari Tsushin for their non-Japanese-speaking audience. I’m personally very pleased with the results, and it is sure to be of much interest to their listeners everywhere.

For a sneak peek, below is a small sample from the five-page opening conversation.

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Mid-Air Thief “Crumbling” Interview (2018)

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An interview with Mid-Air Thief (aka Gongjoong Doduk, Public Morality, Bird’s Eye Batang) about his sophomore album, Crumbling. I have a feeling that any further introduction of the album is unnecessary. Enjoy!

Interview & text: Someya Taiyo (Japanese text)
English translation: Henkka
Mid-Air Thief on the web: Bandcamp

When Botanical House released Mid-Air Thief’s first album Public Morality last year it created a buzz and sold quite well almost entirely through word of mouth, completely due to the high quality of its content.

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Mid-Air Thief “Public Morality” Interview (2017)

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Mid-Air Thief (aka Gongjoong Doduk, Public Morality, Bird’s Eye Batang) released his excellent debut album in 2015. It was also released in Japan by Botanical House in 2017, and this interview was conducted on that occasion by Someya Taiyo (who you might know from Lamp). Interviews with Mid-Air Thief are scarce at best so this is a rare treat.

Enjoy!

Interview & text: Someya Taiyo (Japanese text)
English translation: Henkka
Mid-Air Thief on the web: BandCamp

Not only does Public Morality easily transcend the Korean indie scene, it transcends our entire era itself. In it, I feel something that shines among the overall history of all popular music worldwide.

While I’d had a sense of the Korean indie scene gaining momentum since the mid-00s, I had never really heard anything that left much of an impact on me personally. But when I heard this, I just thought, “Wait, this is from Korea?!” With that said, it might be that Mid-Air Thief is not so much related to the country’s “scene” or some such—he’s just one miraculous musician who happened to have been born in South Korea.

Even in South Korea the name “Mid-Air Thief” is still shrouded in mystery. Surely there is so much that people want to know and ask about the artist, so I believe this interview will be of much value.

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Kitasono Minami “lumiere” Interview & Liner Notes (2015)

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Want to know more about Kitasono Minami and more specifically “part two” of his debut, lumiere? If so, you’ve certainly come to the right place. Enjoy!

Interview & text: Kato Naoko (Japanese text)
English translation: Henkka
Kitasono Minami on the web: Website, Blog, Twitter, SoundCloud

Note: You can buy lumiere from CDJapan.

Interview

Following his initial popularity on SoundCloud, this artist just released his first studio recordings on last year’s mini-album, promenade. On it, he wrote, composed, and arranged (including the orchestral arrangements of) all songs, and showcased his multi-instrumentalist abilities on the bass, guitar, and various other instruments. Kitasono Minami has been displaying immense talent and competency on his recorded material.

At the young age of just 24, his pop sound incorporating strings and horn sections is so beautiful, mellow, and most of all accessible that it is almost frightening. His second release, lumiere, only strengthens that feeling. Framed as the counterpart to promenade as its “twin mini-album,” this release gives the impression of possessing even more sounds which were not present on the previous release.

We conducted an email interview with the artist himself in regards to lumiere.

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Uwanosora “Yogiri” Interview (2019)

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To commemorate Uwanosora’s awesome third album, Yogiri, finally being made available on Spotify last month, here is an interview about it. You owe it to yourself to give it a listen. Enjoy!

Interview & text: Uchi Takahide of WebVANDA (Japanese text: part one & part two)
English translation: Henkka
Uwanosora on the web: Website, Instagram, Kadoya Hirohide Twitter, Iemoto Megumi Twitter

Note: You can buy Yogiri from CDJapan.

With the release of their second album Hidamari in 2017 (and a subsequent analog pressing the following year) still fresh in our minds, Uwanosora are releasing their eagerly anticipated third album Yogiri on June 26th.

This being their second release after becoming a duo in August 2017, Kadoya Hirohide (guitar, songwriting, production) and Iemoto Megumi (vocals) have, since the city pop beginnings of their 2014 debut, incorporated elements of various other genres into their music as they continue to develop their sound. One might even say they have become “music for the discerning music fan.”

In this interview, we asked the two members about the creation process of this album.

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