Uwanosora – Blue to Odotte (English Lyrics)

ブルーと踊って
Dance With Blue

Blue is what we called her
Her nickname was Blue
That’s all we knew

With her sweet & cute looks
Most of the guys were in love
Lost in her innocent eyes

Suddenly, Blue said to me
“Let’s go for a drive!”
And so we drove to the beach
Under the breaking moon

Reaching into my pocket
Blue and I made a bet
We would flip a coin
Heads — we see how the dream ends
Tails — we say goodbye

I’m sure Blue already knew
Though she acted so casual and carefree
She always kept her sadness hidden

Not telling a soul
Where she was headed
Blue was gone
Even though the coin
Had come up heads

Caught by the wind
We ran free, naked
In the shallow waters
On that airport beach
I was dancing with Blue
That summer, without a doubt
We were dancing

Waves drawing near
I held her close
As the night
Softly turned to day

Continue reading

GERONIMO – Shitta Kocchaa nee (English Lyrics)

知ったこっちゃあねぇ
I Don’t Give A Shit

Your birthplace?
I don’t give a shit
Your nationality?
I don’t give a shit
Your gender?
I don’t give a shit
I don’t give a shit

Your job?
I don’t give a shit
Your title?
I don’t give a shit
Your wealth?
I don’t give a shit
I do not give a shit

Shut the fuck up
Get on with it
Shut the fuck up
Get on with it
Shut the fuck up
Get on with it
Shut the fuck up
Get on with it

Your hobbies?
I don’t give a shit
Your character?
I don’t give a shit
Your take?
I don’t give a shit
I do not give a shit

Shut the fuck up
Get on with it
Shut the fuck up
Get on with it
Shut the fuck up
Get on with it
Shut the fuck up
Get on with it

Your attitude?
I don’t give a shit
Your secrets?
I don’t give a shit
Your dreams?
I don’t give a shit

You are you
So I don’t give a shit
I really do not give a shit

Imai Miki – Kiss Yori Toiki Yori (English Lyrics)

キスより 吐息より
Beyond Kisses, Beyond Sighs

The moon is a pearl
The passing breeze is silk
With my sole companion
A cactus by the window

You’re so very kind
Sorry to be so selfish
Tonight I phone you
From inside the closet

More than kisses, more than sighs
I just want you to stay
Stillness of a lonely night

My hair that I washed
For no one but me
Now slowly drying

Fleeting jealousy
A fight over nothing
Our love in naked embrace
Filling every space between us

Your dress shirt as my pajamas
Softly becoming mine
I had forgotten
What I begged of you that day

More than kisses, more than sighs
I want to feel you deep
The you who dwells in my heart

Your desire to embrace me
Tonight, let it build up
And spend the evening alone

Having dressed up a little
Tomorrow, I will call you
Saying I want to meet right away

More than kisses, more than sighs
I want to feel you deep
The you who dwells in my heart

Come into my dreams
Gently slip inside
Good night…

Continue reading

Kitasono Minami “Meridian” Interview (2025)

Here is a (painfully short) interview with Kitasono Minami about his (painfully short) debut LP Meridian. It was published in the July 2025 issue of Guitar Magazine.

Interview & text: Okuda Yuya
English translation: Henkka
Kitasono Minami: Website, Twitter, SoundCloud

Note: You can buy this album on CDJapan.

Kitasono Minami—composer, multi-instrumentalist, producer.

In 2012, he began uploading his music on SoundCloud, instantly attracting attention, and beginning in 2014, he released three EPs within a two-year span. Finally breaking the ten-year period of silence that followed, his new album Meridian has now been released.

This being the first full-length album which he has worked on as the overall producer, its meticulous sound and arrangements were crafted utilizing score-based compositions and remote home-recording techniques. Seldom appearing in the media—no one even knows what he looks like—he is a true talent shrouded in much mystery.

We conducted a face-to-face interview with Kitasono Minami to ask him about his creative vision for this album.

Continue reading

Shin Rizumu “Música Popular Japonesa” Interview (2022)

Here are two magazine interviews with Shin Rizumu about his 2022 full-length album Música Popular Japonesa. The first one discusses mainly his roots and musical upbringing, while the second one is focused more specifically on this album and what Shin Rizumu is up to nowadays.

The first interview is from the March 2023 issue of Record Collectors’ Magazine, and the second interview is from the December 2022 issue of Musica.

Interview & text: Shibasaki Yuji (first interview), Ariizumi Tomoko (second interview)
English translation: Henkka
Shin Rizumu: Website, Twitter, Instagram, YouTube

Note: You can buy this album on CDJapan.

Shin Rizumu made his sensational debut in 2015 as a home-recording singer-songwriter who was only a high school student at the time. Aside from composing all the music and writing all the lyrics, he also worked on the arrangements, recorded all the instruments, and even did the mixing himself.

His first album—a natural mix of various musical elements, including yesteryear’s soul music and AOR, neo acoustic, and guitar pop—presented a kind of hybrid pop style of shockingly high quality. In addition to a certain sense of precocity, his biggest appeal was his fresh, lively sound that was very much of the new era, as well as his brilliant lyrical worlds. In 2017, he released his second album—the masterpiece Have Fun—which resonated even with other, globally renowned home-recording artists of the time, further showcasing the evolution of his talent.

Listeners had to wait five and half years for another album until finally, in November of last year, this new album was released. After writing songs for people like Fujii Takashi and Nakajima Megumi, becoming a supporting musician for acts like Kirinji and Hata Motohiro, and collaborating with Ryusenkei, the growth and self-confidence he has gained as an artist can be seen even in the bold title of his new album: Música Popular Japonesa. That is to say, his intention was to take Brazil’s “Música Popular Brasileira” (MPB) and adapt it into Japanese-language pop music—MPJ. While it may seem like a bit of a dramatic statement to make, the album’s content does not fall short of its title in the least. To the contrary, it’s truly a fantastic album—the kind of material that is likely to impress especially the more devoted MPB fans.

Now, already carrying the air of something like a maestro at the young age of 25, we asked Shin Rizumu about his musical history and about what kinds of music he is interested in these days.

Continue reading